To paint loosely but still convey a feeling for your subject means you have to say a lot with just a few brushstrokes. Read this post for some tips on how to do this.
Important Note: This video is raw unedited video that I took with my GoPro of me doing real work on the spot, with all the chaos and commotion around me. I do this to share with you the real life experiences of a being a professional painter, unedited, and as they happen. Let me know if you find them useful, otherwise I won’t do them. They take quite a bit of effort to shoot and upload.
Cat. No. 1321 Marrakesh, Jemaa El-Fna – 12.5cm x 25cm – Oil on Canvas
Congratulations! Your painting, “Marrakesh, Jemaa El Fna”, was selected as part of the FAV15% (jury’s favorite 15% of the entries) in the March 2020 BoldBrush Painting competition.
I spent a day at Jemaa El-Fna market, In the video you can see the hustle and bustle of daily life.
There was so much to capture that I started off painting these micro paintings just a few inches wide, using my homemade micro pochade box. The painting above was done from these small sketches, but was still relatively small.
If you want to paint loose and free, but not lose the feeling for your subject, here are two tips:
- get the proportions of the brushstrokes correct, in particular when you are suggesting figures. You do not actually need too much detail, but the proportion of height to width needs to be quite accurate. As does the blog of paint you use to suggest the head. The typical proportion is 7 or 8 to 1 for the head/body ratio.
- get the color spots accurate. This needs a lot of practice in color matching.
For more information
For more information on some of the techniques I used in this painting see: