Cat. No. 1460 Autumn Persimmons, Montenegro

The Virtual Art Academy program is really comprehensive and gave me all the information and directives to learn painting in one package. The material is very well organized, just beautiful to look at and motivating to carry through. The online campus is a wonderful place to meet other artists and receive critical feedback on my… Read more “I started learning oil painting with VAA from scratch. Just one year later my paintings started to sell”

The VAA course is built on four main building blocks including PROCESS, REALISM, MUSIC AND POETRY. These are further divided into topics that are continuously developed throughout the curriculum. Drawing, Form, Observation, Colour, Brushwork, Notan, Composition and Poetry are all thoroughly taught. Working on-line we meet students from all around the world, interacting with them… Read more “‘Ladder of Learning’ adds to overall positive experience of this awesome course”

I finished the VAA course a few years ago, but always refer to the notes, rereading the course many times. This is not a course the day you are finished, you are done. No, you keep practising the assignments getting better and better over time. When I look back at my work when I had just… Read more “No need to buy expensive art books…. Just do the VAA 4 year course. I still refer to it”

The questions you ask yourself are,”Will it be worth the cost?” and “Will it be truly useful?”. After a couple of weeks working on/in Virtual Art Academy®, I can say that the amount of work it represents – by Barry – is incredible! The information presented alone is more than worth the price and, yes,… Read more “It is a real course that trains you in a structured way”

The course is working great, the lessons are set out so well that every week I can see growth. In following the program it’s given me direction, and the information in the lesson plans are of a professional level. There is no way I would have tracked down the information by myself, and being in… Read more “The course has a steady learning curve that keeps revealing itself as you advance”

I am extremely impressed with the process that Barry has developed for VAA.  Learning to paint can be intimidating, but when broken into many small projects it is very do-able.  I just did my first live model painting session- a 5 hour, one day session.  Thanks to VAA, I was able to break the painting… Read more “The small steps are easy to do”

I joined 2 years ago with my daughter. We have both learnt so much and have enjoyed our VAA time together. My daughter is now 13 and already produces amazing paintings. The Virtual Art Academy is simply the most comprehensive art instruction I could find anywhere online, and trust me, I had been looking for… Read more “The most comprehensive art instruction I could find anywhere online, and trust me, I had been looking for a long time.”

This is a far more superior school than anything I have seen being taught at colleges across the country and have learned much more from the Virtual Art Academy® than from any art course I have ever taken! I cannot begin to tell how the Virtual Art Academy has improved my observation of potential compositions… Read more “This is a far more superior school than anything I have seen being taught at colleges across the country”

This is a great course for anyone who is serious about improving their painting. I have been a student here for several years. When I am finished, I will have the equivalent of a 4 year art education at a fraction of the cost. I can do the lessons anywhere and at my own pace.… Read more “The equivalent of a 4 year art education at a fraction of the cost”

My painting “Primitive Pots” recently won the award given by the Royal Institute of Painters in Watercolour at the recent selected exhibition of the Society of East Anglian watercolourists. I have been working through the VAA course for over five years and would highly recommend it to anyone wanting to improve their painting. There is… Read more “Since I started the programme I can see improvements in my composition and use of colour”