What is Impasto?
Thick paint. From the Italian ‘impastare’ – to make paste. Using an impasto technique often leaves visible brush strokes in finished paintings.
If your primary goal is to capture the color accurately and learn how to achieve a beautiful color harmony, there is a big advantage to using impasto paint. This is because it forces you to make a clear decision about the color. In addition you get a much better color harmony during the mixing process when you use impasto.
I painted this during the rainy season in the old village of Liujiang in Sichuan, China, sheltered under the roof eaves which fortunately were quite large!
This place was chosen for its interesting patterns created by the colorful umbrellas and of the red lanterns which are a feature of every Chinese town and village. The reflections in the wet pavement served to distribute these colors around the canvas and unify the design. The painting was quite large for a plein air piece, about 60cm by 80cm.
When is impasto used?
You can use different techniques for applying the paint to show the characteristic textures of different objects in your painting.
Here I used thick impasto strokes to convey the feeling of the wet pavement, and also to create the calligraphy on the walls.
On the walls of the wooden buildings I used thin transparent washes of paint layered on top of each other to convey the texture of old wood. This is very similar to a watercolor approach. By varying the type of brushwork you use in your work you open up many more exciting possibilities for your paintings.
Note: To learn more about how you can use brushwork to describe forms and texture, see the Brushwork lessons in Workshop G of the Virtual Art Academy Apprentice Program.
What Our Students Are Saying About The Virtual Art Academy
Barry gave me a fishing rod so I can catch my own fish
After weeks and even months of searching YouTube, “googling” and spending a fortune on art instructional books I finally came across the Virtual Art Academy®. When it comes to purchasing online I am always very careful how I spend my money. Especially when I already spent a small fortune on art books. They always seemed great: presenting wonderful tutorials – and beautiful colorful paintings as a result. You then tend to think you will be able to create something equally beautiful after completing particular tutorial. Unfortunately not the case! I discovered that these tutorials only gave me the fish, not the fishing rod. Barry gave me a fishing rod so I can catch my own fish. The course is well planned, the lessons are clear. Simple. And I can always repeat the assignment as much as I want. And that’s what I was looking for. It opens one’s mind. It opens my eyes to all aspects of art. I see now the scene I want to paint and I think of values, preparation for the notan painting, colour. I can plan how I want to paint the scene or portrait. It’s brilliant. What I really like about Virtual Art Academy is that it takes it all apart and puts it back together. Starts from scratch, comes back to basics. It gives a fantastic foundation. It does what it says on the tin.