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How To Paint Realism: Making Things Convincing 1

How To Paint Realism: Making Things Convincing

Whether you are painting landscapes, still lifes, or portraits, eighty percent of the realism in your painting comes from just one thing. So if you are struggling making your paintings look real, this might help you.

How To Paint Realism – Accurate Values

It was an eye-opener for me when learning how to paint realism to discover how important values are. Did you know that 80% of the realism in painting comes from choosing the correct value for each shape and not on how accurately you matched the color? I found that poor values account for most of the reasons why students paintings do not look “real.”

Tip 1: Practice your value scales

So if you want to learn how to paint realism, you need to work on your values. A good way to start is to build a value scale, which is a series of color spots of gradually increasing value. Common value scales are the three, four, five, and nine value scales. As you get more advanced, you can use more values.

If you want to quickly learn how to add realism in your work, I would suggest your start with practicing a four-value scale. The four values are black, white, light grey and dark grey.

a four value scale used to help create realism in your paintings
How To Paint Realism: Making Things Convincing 6

Once you have your value scale, use it as a basis for keeping different shapes in your painting within these values.

Tip 2: Do a small painting in black, white, and grey

In “Big Sur Morning”, a painting I did just a couple of years after I started painting full time professionally, I was trying to capture the moody atmosphere that you get on the Big Sur coast when the fog rolls in.

an example of how to paint realism
How To Paint Realism: Making Things Convincing 7

Getting the values correct is critically important when using atmospheric perspective to create depth, and capture the realism in painting.

four value study
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This is the small painting I created using only the four values, in preparation for the final painting. You can see that even though it is only in four values, this small painting has captured the scene, and only took a few minutes to paint using brush pens.

Each of the successive planes of cliffs get lighter in value to give the feeling of depth in the landscape. I discovered this tip for how to paint realism and its role in atmospheric perspective early on. It was this discovery of the role of values in atmospheric perspective that helped make the final painting work and win a top award in the Carmel Plein Air Art Festival many years ago.

More Oil Painting Techniques

See more oil painting techniques.

Definition Of Realism In Art

Realism is the accurate and detailed depiction of nature or of contemporary life. It is an attempt to represent subject matter truthfully, without any deliberate change for reasons of style, creating some fiction, or showing the supernatural. Realism in art is based on a close observation of the outward appearances of things.

History Of Realism In Art

Historically realism refers to various art currents and movements throughout history. The term has been used to describe diverse artistic currents from many different civilizations. These include ancient Hellenistic Greek sculptures which accurately portray boxers and old women, the works of 17th-century painters such as Caravaggio, and the Dutch genre painters. Later realists were the Spanish painters Diego Velázquez, and Francisco de Zurbarán, followed by mid nineteenth century French painters such as Gustav Courbet and Jean-François Millet. These French artists painted subjects from everyday life in a naturalistic manner. Later artists such as Winslow Homer and Thomas Eakins also painted realistic subjects and continued the tradition.

The term Classical Realism however describes an artistic movement in the late-20th and early 21st century in which drawing and painting place a high value upon skill and beauty. However it could be argued that this is not realism in the true sense since it often depicted an idealized form of beauty, and not subjects as they actually were.

The term can also be used in a general sense to describe paintings that are painted in a realistic almost photographic way as in the photorealist movement in the twentieth century and to the various twentieth century Social Realist Movements in Russia and Germany.

Realism can also be used to distinguish paintings that represent something real from pure abstract work. This latter is the definition I tend to use in my writing.


What Our Students Are Saying About The Virtual Art Academy

The most comprehensive, in depth and well-organized painting course available online

The most comprehensive, in depth and well-organized painting course available online 2

After a thorough research, my personal conclusion is that the Virtual Art Academy (VAA) is, by wide margin, the most comprehensive, in depth and well-organized painting course available in the internet. Unlike most tutorials and color mixing recipes commonly found online, VAA’s philosophy is rather to provide the students with detailed information about all aspects of painting – color theory, brushwork, drawing, composition, techniques, materials – in an organized manner, in a way to allow for short-term improvements while optimizing the learning curve throughout the course. And, while the VAA curriculum, by itself, is already among the most valuable literature about art one can find (both online or offline) – for its depth and comprehensiveness –, the online platform adds a lot more to the learning experience, since the exchange in information and experience with other students is of immense help. Finally, what is most unique about the VAA, in my opinion, is that its creator Barry J. Raybould not only has a successful career as an artist himself – with an economic style and distinguished understanding of color – but he was also able to distill his own knowledge and experience into an accessible and effective method (as can be proven by the works of some of his earlier students). If you are serious about learning art and (as was my case) can’t enroll formal art schools, I would say there’s zero chance you will regret joining the VAA. In fact, I truly believe that, in the centuries to come, people will still learn to paint through Barry’s method.

Bruno Villela

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