Virtual Art Academy
wet panel carrier

Wet Panel Carrier To Save You Getting Into A Mess – Your 2 Main Choices

These are boxes or frames for carrying your paintings while they are still wet. They prevent your painting from getting damaged while you are traveling if you are painting plein air.

wet panel carrier

There are two types of system:

  • frame systems (Panelpak, wetpanelcarrier, Joshua Been) – shown on right
  • box systems (Raymar, OpenBox M, artworkessentials)

See also: Plein Air Easels, Pochade Boxes

The box type of wet panel carriers

Box type wet panel carriers can carry any number of paintings. Typically from 4 to 12. They consist of a box with slots to separate the paintings.

Cons:

  • they are heavy
  • you have to paint a lot of paintings all the same size (the multi size ones are even heavier)

The frame type of wet panel carriers

This is a single frame that is similar to a picture frame but that has a piece of wood in the inside of the frame to keep two paintings separate. They are designed to carry just two paintings back to back. This is my favourite way of transporting wet paintings.

Pros:

  • you can carry many different sized panels, without adding too much weight. In a typical large drying box you have to have all the panels the same size
  • it is a lot lighter than a wooden drying box
  • it is much stronger than a plastic drying box whose sides can easily bend and damage a painting if pushed

Cons:

  • you have to have two panels of the same size back to back for protection. If you finished one painting and are painting a second, your first painting is unprotected for the time you are painting the second painting.

    I solve this problem by carrying at least two panel carriers of the same size (for four paintings), or by carrying an extra panel. Since I use gatorboard panels, this method hardly adds any extra weight.

Tips for selecting a wet panel carrier

  • make sure there is a good gap between the two paintings, so if you use thick paint there is no possibility of damage.
  • if you paint on loose linen taped to a board, then you will need a very large gap. The board warps and the linen moves away from the board, so it is very easy for two paintings to touch.

Brand: PanelPak

Supplier: PanelPak (North America)

I have about 20 of these and can vouch for their quality. This is my preferred system now. However they suffer from the problem of paintings touching when painting on loose linen because the gap is too narrow.

PanelPak wet panel carrier

Brand: Wet Panel Carrier

Supplier: Prolific Painter, LLC (North America)

Similar to the PanelPak.

Prolific Painter wet panel carrier

Brand: Wet Panel Carrier

Supplier: Wetpanelcarrier UK (United Kingdom)

I have not used any of these and so cannot vouch for their quality.

Brand: EzPak

Supplier: Artwork Essentials

They have some square ones which is a good idea. You can put either a rectangular canvas in it or a square one, or one of each. I think I prefer the rubber bands though to the brass latches. In my experience with brass latches, they can rotate and the painting can fall out. I haven’t used an ExPak so I don’t know if that is a problem or not.

Brand: Raymar

Manufacturer: Raymar

These are not well designed in my opinion. The sides flex and touch the paintings. The slots are too narrow. And it wastes space on the two outer slots which should hold a panel facing inwards, not outwards (where it can get damaged by flexing sides).

How to use them: the loose linen method

I like to use the larger size panel carriers such as 11″x14″ (28cm x 36cm) or 12″x16″ (30cm x 40cm). I get a piece of lightweight board that fits in the panel carrier. Then I cut several pieces of linen that are 2″(5cm) smaller than the board. In this way I can tape the linen to the board with drafting or masking tape.

For larger paintings I use the full area of the linen.

For smaller paintings I divide the linen up into small 6″x8″ (15cm x 20cm) areas using the drafting or masking tape as a border.

Home made designs

This one uses a shallow Rubbermaid storage box, push-pins, duct tape and foamcore board.

Cut the foamcore to the size of the box and place push-pins around the panels to hold them. You can stack the foamcore in several layers, and the push-pins keep them separated. Put some some tabs made of tape on the the edge of the foam core so you can easily lift the foamcore out of the box.

The container has a top making it safe from any pets, dust, sand, etc. Some people might find that the stacking method is inconvenient but once the panels are dry you can store them upright for easy access.

You can use this for your plein air work, and carry a good variety of sizes which is not always possible with other wet panel carriers. The size of the box is about 16 1/2″ x 22 1/2″ or 42cm x 57cm. The sizes of the pictures are 6×8, 8×10, 4×8. (Courtesy: Kathy Werner)

Tips for loose linen

I have found in the heat, if you use loose linen taped to boards, that the linen will bend and touch the opposing paintng before it has dried, ruining your painting. Here is one way to avoid that. Use two panel holders back to back. This increases the space between the paintings.

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