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These are boxes or frames for carrying your paintings while they are still wet. They prevent your painting from getting damaged while you are traveling if you are painting plein air.
There are two types of system:
- frame systems (Panelpak, wetpanelcarrier, Joshua Been) – shown on right
- box systems (Raymar, OpenBox M, artworkessentials)

See also: Plein Air Easels, Pochade Boxes
The box type of wet panel carriers
Box type wet panel carriers can carry any number of paintings. Typically from 4 to 12. They consist of a box with slots to separate the paintings.
Cons:
- they are heavy
- you have to paint a lot of paintings all the same size (the multi size ones are even heavier)
The frame type of wet panel carriers
This is a single frame that is similar to a picture frame but that has a piece of wood in the inside of the frame to keep two paintings separate. They are designed to carry just two paintings back to back. This is my favourite way of transporting wet paintings.
Pros:
- you can carry many different sized panels, without adding too much weight. In a typical large drying box you have to have all the panels the same size
- it is a lot lighter than a wooden drying box
- it is much stronger than a plastic drying box whose sides can easily bend and damage a painting if pushed
Cons:
- you have to have two panels of the same size back to back for protection. If you finished one painting and are painting a second, your first painting is unprotected for the time you are painting the second painting.
I solve this problem by carrying at least two panel carriers of the same size (for four paintings), or by carrying an extra panel. Since I use gatorboard panels, this method hardly adds any extra weight.
Tips for selecting a wet panel carrier
- Make sure there is a good gap between the two paintings, so if you use thick paint there is no possibility of damage.
- If you paint on loose linen taped to a board, then you will need a very large gap. The board warps and the linen moves away from the board, so it is very easy for two paintings to touch.
Brand: PanelPak
Supplier: PanelPak (North America)
I have about 20 of these and can vouch for their quality. This is my preferred system now. However they suffer from the problem of paintings touching when painting on loose linen because the gap is too narrow.

Brand: Wet Panel Carrier
Supplier: Prolific Painter, LLC (North America)
Similar to the PanelPak.

Brand: EzPak
Supplier: Artwork Essentials
The ezPak can carry two wet panels face to face up to 1/4″ in thickness. They also have some square ones which is a good idea. You can put either a rectangular canvas in it or a square one, or one of each. I think I prefer the rubber bands though to the brass latches. In my experience with brass latches, they can rotate and the painting can fall out. I haven’t used an EzPak so I don’t know if that is a problem or not.
Brand: Raymar
Manufacturer: Raymar
These are not well designed in my opinion. The sides flex and touch the paintings. The slots are too narrow. And it wastes space on the two outer slots which should hold a panel facing inwards, not outwards (where it can get damaged by flexing sides). As a result I chose to use a combination of home made super-light boxes, and the frame type of panel carriers.

How to use wet panel carriers: the loose linen method
I like to use the larger size panel carriers such as 11″x14″ (28cm x 36cm) or 12″x16″ (30cm x 40cm). I get a piece of lightweight board that fits in the panel carrier. Then I cut several pieces of linen that are 2″(5cm) smaller than the board. In this way I can tape the linen to the board with drafting or masking tape.
For larger paintings I use the full area of the linen.
For smaller paintings I divide the linen up into small 6″x8″ (15cm x 20cm) areas using the drafting or masking tape as a border.
Home Made Wet Panel Carriers
See pages 38 to 41 in this guide, for instructions on how to make a super-light wet panel carrier using gatorboard.
I make the top wet panel carriers from 3/16” (0.5cm) gatorboard, which is sturdy and strong yet lightweight. I use plywood and small wooden dowels to make the runners inside the box to separate the panel from the palette, and duct tape to hold it all together. This makes a very light, yet strong, box.
For larger paintings, and for carrying my palette, I make the boxes out of luan (plywood), but the process for making them is the same.
You can make boxes in several sizes, depending on what type and size painting supports you use so you can carry a good variety of panels which is not always possible with other wet panel carriers. All you have to do is make sure the spacing between separators will fit the type of painting support you use (gatorboard, stretched canvas, loose canvas on board, etc)
Tips for loose linen
I have found in the heat, if you use loose linen or canvas taped to boards, that the linen will bend and touch the opposing painting before it has dried, ruining your painting.
Thank You
Thank you for taking the time to read this article. I hope you find it useful. If you would like to get free painting tips by email, please sign up for my free tips newsletter.
If you are interested in a structured approach for learning how to paint, take a look at my online painting classes.
Happy painting!
Barry John Raybould
Virtual Art Academy
What The Students Are Saying
VAA, the ultimate art course

I started learning oil painting with VAA from scratch. Just one year later my paintings started to sell

The course is for beginners, intermediate and advanced artists

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Only online learning program I have ever discovered using a training industry best practice

VAA is the only online learning program I have ever discovered using a training industry best practice of incorporating Knowledge and Skills to support learning a new activity. Every building block (Drawing, Form, Observation, Concept, Notan, Composition, Colour, Brushwork) incorporates a “spiral learning” approach where you are introduced to the Knowledge/Skill at one level and then reintroduced to it again elsewhere in the curriculum. Sure genius.
I’ve attended workshops, read books, and watched YouTube videos — and none of them provide the scaffolded approach to learning the VAA offers. If you are just starting your painting journey, start here. If you are a mid level or advanced painter, start here. There is a sense of community with artists around the globe. You are part of a peer to peer learning process bigger than yourself.
As a result of the VAA, I have been juried into several shows, am represented by a local gallery and have been selling my paintings on a consistent basis. VAA curriculum’s approach will grow your ‘artist’s brush’ and aid you in finding your artistic voice. As your basics improve, your art improves. Henry Hensche said, “There is study and there is performance, and we should not confuse the two, study is done for perceptual development, our performances show us where we are in that development, and we must have both…”. VAA curriculum offers both.
I went through the entire curriculum, did every every exercise, and today review my printed books/exercises on an annual basis to keep myself fresh and ready for my next painting adventure.
Onwards/Sideways,
Jay “jbird” Holobach
https://www.jayholobach.com/
The most comprehensive art instruction I could find anywhere online, and trust me, I had been looking for a long time.

The Virtual Art Academy is simply the most comprehensive art instruction I could find anywhere online, and trust me, I had been looking for a long time.
Even art schools and academies I’ve been exposed to are nowhere near as thorough, VAA is just amazing!
Most paintings I see where the artist clearly has some skill still lack in either the values or notan department, or fall down on composition – it’s baffling that VAA seems to be the only program that goes into detail on this. Therefore, if you are new to painting or an experienced artist, studying with VAA will get you to that next step.
I also find that Barry is always interested in what we students do and is at hand with great advice. Worth every penny, Thank you Barry!!
This is a far more superior school than anything I have seen being taught at colleges across the country

The equivalent of a 4 year art education at a fraction of the cost

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The small steps are easy to do

It is a real course that trains you in a structured way

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It is impossible to fail or gain little through extensive 4 year study at VAA!

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I’m Richard Robinson …. best online art training available on the internet today

In my opinion Barry has created the best online art training available. I found the Virtual Art Academy course of painting lessons many years ago and was so inspired by it that I contacted the author and got to know him personally.
Two Critical Keys
If you are looking (like I did) for the best painting course available there are two key things you should know about the Virtual Art Academy course which make it stand out above the other online painting courses available today:
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It covers ALL the key painting concepts and then goes further, revealing more and more painting insights. Most courses miss a LOT out – this one doesn’t.
2. It’s easy to understand.
All that information could easily become confusing, but each piece is laid out clearly and concisely using Information Mapping® making it a pleasure to learn.
If you can find another painting course which does these 2 things better, please let me know. As I said, I have been searching for many years and continue to do so, so you could save yourself a lot of precious time and money by joining the Virtual Art Academy today.
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Since I started the programme I can see improvements in my composition and use of colour

I have been working through the VAA course for over five years and would highly recommend it to anyone wanting to improve their painting. There is a huge amount of information on the site and it is well presented and regularly updated and added to. When other members have commented on work I have posted I have found it really useful. When I review my work over the time since I started the programme I can see improvements in my composition and use of colour.
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comprehensive art education

The course has a steady learning curve that keeps revealing itself as you advance

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Fantastic lesson plans, and a vibrant community
The Virtual Art Academy is the perfect art course I’ve been searching for. Barry’s decades of knowledge are condensed into fantastic lesson plans, creating a vibrant community. The apprentice course delves deep into drawing, painting planning, and color theory. It’s like obtaining an art degree at my own pace and more affordably. The structured format encourages interaction and feedback, enhancing the learning experience. Overall, a fulfilling way to study art from home.
Building blocks of learning is the best I have seen

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Barry gave me a fishing rod so I can catch my own fish

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No need to buy expensive art books…. Just do the VAA 4 year course. I still refer to it

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What I learned from 10 years with VAA

It does mean you have to look at things differently in the beginning but it is really exciting to learn a new, simpler way of painting- its all about VALUES!!!
It all seems a bit strange, making Notans, outline studies, value studies all in greys, colour maps, ie not painting a pretty picture in colour, but you must trust the experts and just do it. It’s all about being able to see the big shapes and values which takes, in my case, a long time for the brain to learn how to do. Once you see, it the lightbulb goes on and everything clicks into place.
Be patient, do the exercises, trust the process and you will get good results. I did as Barry suggested and just worked through the exercises in my sketchbook from life, I didn’t paint pictures for long time. I stayed on values studies for a very long time and found I was enjoying painting again.
It’s ok to take your time. Just keep working and try to find a routine for studying, keep at it. After a long time working like this I am now getting pictures into Art Societies in London (The Chelsea Art Society and the The Mall Galleries- RBA, NEAC and Pastel Society) selling them and even winning prizes. I’ve joined Plein Air groups in London and Surrey (which are free) met and made new friends and am part of a community of like-minded artists which is important to me and makes me happy.
Georgie Rey
https://www.artmajeur.com/georgina-rey
An excellent foundation on so many aspects of painting

When I got word of the course available through Virtual Art Academy, I was very excited for the opportunity to learn what I never knew about painting. VAA has provided me an excellent foundation on so many aspects of painting. The course is organized very logically, provides great examples, diagrams, thorough explanations and worthwhile assignments. I highly recommend this course to anyone with a desire for an in-depth education of art.
Thank you again, Barry, I love this course Jeanne
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The improvement in my own work reaffirms that I’ve found the right program to develop as an artist

It is wild to see how much I am learning in this course!

I retired last year, and decided I wanted to spend my time in retirement learning how to oil paint. But having never painted before, I wasn’t even sure what to look for in an online painting course. However, I did some searches for “Best Online Oil Painting Courses,” and found several references to VAA.
I signed up for VAA’s ongoing Apprentice Program last October (2023), and I am incredibly glad I did! As a beginner, I didn’t know what I didn’t know, but I didn’t have to: VAA has already mapped it all out for me. It starts out with basic, fundamental stuff, but also teaches me the THINKING that goes in the painting: the composition, my color choices, how to consciously select which darks and lights need to be emphasized, etc.
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The sky’s the limit

‘Ladder of Learning’ adds to overall positive experience of this awesome course

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The most comprehensive, in depth and well-organized painting course available online

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First quality education, materials, layered learning systems, feedback loop and social support and lifelong learning – amazing
Thank you again for such an amazing program and opportunity. I wish you continued and even greater success. You have contributed to many many people… thank you from all of us.
A great learning platform

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