Virtual Art Academy® Form Painting Lessons

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What is included in the Form Building Block?

Knowing how to make things look three-dimensional is fundamental to making your painting look real. Course unit 1 includes an important technique I learned from Craig Nelson and Luca Cambiaso (1527-1585) for how to capture the basics of form in a few minutes.

form painting lessons

Course unit 2 expands on this to include more detailed knowledge on the different planes of the light and shade, to which I am much indebted to one of my other teachers, the still-life and portrait painter David Leffel.

Course unit 3 contains some valuable information from Frank Reilly (1907-1967) on his insightful work into hue changes on a form - the secret to beautiful color work.

The Form Building Block consists of three course units (in pdf format) and a total of 64 pages:

  • Course Unit 1 - Two-Value Statement
  • Course Unit 2 - Planes of the Light and Shade
  • Course Unit 3 - Hue Changes on Form

Course Unit 1 - Two-Value Statement

It is really quite easy to give the impression of form by using just two values. This 15 minute color study uses just a few light/shade planes: the hair, the shirt, and the legs and face. That is all that is needed to create a convincing illusion of form. The key to doing this is to get the shapes right. If you also master the hue changes across a form ( course unit 3), you will be amazed at how little you actually need to do to make things look solid.

In this course unit, you will learn:

  • how to represent form using the two-value statement – a critical stage in painting a form. In fact for many paintings, where the subject is in the middle distance, this is as far as you need to go to convey the illusion of a solid form
  • how to select a viewpoint for your painting that will maximize the illusion of form
  • how to use geometric solids to make sense of the complex forms of nature
  • how to use the squaring-off technique to make your rounded forms more convincing
  • the critical principle of general to specific
  • how light reveals form — the basics of light and shade

Course Unit 2 - Planes of the Light and Shade

When you want to develop a painting in more detail, particularly in a still life or portrait painting, you will need to know more than just the two planes of the light and shade. It is also important to understand the role of reflected light (that is light that is reflected into the shadows from nearby objects), and also what happens at the edge of objects. Typically the color at the edges of objects will have a value and saturation change. When you apply that knowledge, your forms will look more round.

In this course unit, you will learn:

  • reflected lights
  • core shadows
  • center lights
  • highlights, and
  • edge planes

Course Unit 3 - Hue Changes on Form

In this unit you will learn what happens to the hue and saturation of colors on objects when light falls on them. Mastering these effects produces paintings that have truly beautiful color and is what makes the work of some of the great masters stand out. Unfortunately many art instruction books treat this topic in a very simple way that misses out some key information. The simple rule: cool light, warm shadows or warm light, cool shadows just does not give the full story.

Very few artists actually understand the ideas in this course unit. This always surprises me because to me it is one of the most important things a painter needs to learn. Artists such as Joaquin Sorolla (1863-1923), Sergei Bongart (1918-1985), and Henry Hensche (1899-1992) and many of the Russian Impressionists used this information to their advantage. Much of my investigation into this theory was based on work by Frank Reilly (1907-1967), who was one of the most respected teachers in the first half of the 20th century, and who taught one of my teachers.

In this course unit, you will learn:

  • what happens to both the hue and saturation of colors when light falls across a form
  • how to deal with the color of half tones
  • how to deal with colored light sources – not just the two common sources such as yellow sunlight or north daylight. This is useful when you are dealing with effects such as sunsets, or unusual indoor lighting conditions
  • when to use color and when to use value to turn a form and make objects appear three dimensional, and why
  • a model, based on the Munsell color wheel, that you can use to predict hue and saturation changes for objects of any hue, under any lighting condition

What does it cost?

This course is equivalent to a two week specialist course of study with a professional artist that would cost around $3,000 including travel and lodging.

Many of my students have told me that this is the most thorough information they have found anywhere on the internet (read the emails that students have sent me over the past few years) so I will happily give you a 30-day Money Back Guarantee.

 
Complete Set of Form Course Units
USD$45.00

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  • The complete Virtual Art Academy program is not static. With your Full Membership you get any updates to the program free of charge, so your materials never get out of date. You only need to enroll once, (you will also get updates to all our course Building Blocks, even those you have not yet purchased).
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