If all the lines in a painting composition are going in one direction, the composition can be dull since your eye is led out of the painting. By adding a line going in the opposite direction, a counterpoint, you both emphasize the other lines and at the same time prevent the eye sliding out of the picture. This also creates a type of ‘balance’ in the work. In this painting of Giudecca, Venice, the crane in the distance is painted at a ninety degree angle to the wharf, creating a counterpoint.

In this course unit

This unit explores the role of line and linear relationships in compositional arrangement. In this course you will learn:

• the principle of graceful line and why exaggeration is sometimes important
• how to use interrelationship of line when designing shapes in your painting composition to give your design a hidden strength
• the importance of creating transitions between shapes, and lessons from ancient architecture
• the principle of counterpoint and how to create more 'balance' in your painting composition
• how to use line and linear brushwork to suggest action and turbulence
• how to apply the principle of rhythym to improve unity and interest in your painting composition

Total number of assignments: 5

Total number of pages: 14